Bill Hart’s Jig > The Cliffs of Moher > The Connachtman’s Rambles Condon’s Frolics > The King of The Pipers The Connachtman’s Rambles The first part of this tune is in D major and the second is in B minor, so there is a strong change from one part to the next already incorporated into the tune. Notice that the F# run in the bass doesn't happen in the second four-bar phrase but I still add the F# on the middle D string thus changing the texture slightly. The Connachtman’s Rambles with substitutions Notice the effect of the chords changing on the weak, rather than the strong accents. I finish on an E minor chord; I would play this if the tune were going to repeat again, because it leads into the D well, but I wouldn't play it if another tune were to follow, or if the set was finishing with this tune.